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List of IMAX DMR films. Following is a list of IMAX DMR films which use IMAX, a motion- picturefilm format and projection standard. IMAX cameras and film stock are rarely used for mainstream films; the cameras are heavy and the film stock is expensive. However, since 2. IMAX Digital Media Remastering (DMR) processing for showing both in 7. IMAX theatres and in Digital IMAX theatres. Several animated titles (Fantasia 2.
Beauty and the Beast, Treasure Planet, The Lion King, Falling in Love Again, Cyber. World, Fly Me to the Moon 3. D and Santa vs. 2. IMAX equipment having platter size limits. First DMR release for Universal Pictures. Aspect ratio opened up to 1.
IMAX equipment having platter size limits. Aspect ratio cropped to 1. First DMR release for Lucasfilm and 2. Century Fox.*Name. Release Date. Notes. March 9, 2. 00. 7 (2. Spider- Man 3. May 4, 2.
Harry Potter and the Order of the Phoenix. July 1. 1, 2. 00. Originally flat, 2. D. First DMR release for National Geographic Entertainment.*The Spiderwick Chronicles.
February 1. 4, 2. First DMR release for Nickelodeon Movies.*Shine a Light.
April 4, 2. 00. 8 (2. Speed Racer. May 9, 2.
First DMR release in IMAX Digital.***Kung Fu Panda. June 6, 2. 00. 8 (2. First DMR release for Dream. Works Animation. Aspect ratio cropped to 1. IMAX 7. 0MM prints.***The Dark Knight. July 1. 8, 2. 00. First mainstream feature to be partially shot with IMAX cameras, with 2.
Filmed with the Fusion Camera System. Limited engagement. First DMR release for Walt Disney Pictures. First IMAX Digital exclusive.**Watchmen. March 6, 2. 00. 9 (2.
Closing credits changed to slide format and one closing credits song omitted to reduce running time.***Monsters vs. Aliens. March 2. 7, 2. In 3. D.***Star Trek. May 8, 2. 00. 9 (2. Limited engagement.***Night at the Museum: Battle of the Smithsonian. May 2. 2, 2. 00. 9 (2. Transformers: Revenge of the Fallen.
June 2. 4, 2. 00. About nine minutes filmed in IMAX. About half a minute of footage exclusive to the IMAX version. Aspect ratio opened up to 1. D presentations in compatible theaters, such as IMAX's. Originally 2. D, converted during post- production.***How to Train Your Dragon.
March 2. 6, 2. 01. In 3. D.***Iron Man 2. May 7, 2. 01. 0 (2. Limited engagement. First DMR release for Marvel Studios.***Shrek Forever After. May 2. 1, 2. 01. 0 (2. In 3. D.***Prince of Persia: The Sands of Time.
May 2. 8, 2. 01. 0 (2. Selected territories only.*Toy Story 3. June 1. 8, 2. 01. In 3. D. Preceded by the short subject Day & Night. Limited engagement. First DMR release for Pixar Animation Studios.***The Twilight Saga: Eclipse. June 3. 0, 2. 01.
Limited engagement. First DMR release for Summit Entertainment***Inception. July 1. 6, 2. 01.
Some scenes filmed in standard 6. Selected territories only.*Avatar: Special Edition. August 2. 7, 2. 01. In 3. D. Re- release with additional scenes. First DMR film to surpass 1.
Resident Evil: Afterlife. September 1. 0, 2. In 3. D. Filmed with the Fusion Camera System.
First DMR release for Screen Gems and Constantin Film.**Legend of the Guardians: The Owls of Ga'Hoole. September 2. 4, 2. In 3. D. Preceded by the short subject Fur of Flying.***Paranormal Activity 2. October 2. 0, 2. 01. Limited engagement.**Megamind. November 5, 2. 01.
In 3. D. Limited engagement.***Harry Potter and the Deathly Hallows – Part 1. November 1. 9, 2.
D converted version eventually released direct to video due to time constraints.***+Tron: Legacy. December 1. 7, 2. In 3. D. Filmed with the Fusion Camera System. Originally 2. D, converted during post- production.**Tangled. February 2, 2. 01. In 3. D. Released in Asia only.
Filmed with the Fusion Camera System. Limited engagement. First DMR release for Relativity Media.**I Am Number Four. February 1. 8, 2. First DMR release for Touchstone Pictures.***Mars Needs Moms.
March 1. 1, 2. 01. In 3. D.***Sucker Punch. March 2. 5, 2. 01. D conversion cancelled.***Fast Five.
April 2. 9, 2. 01. Thor. May 6, 2. 01. In 3. D. Originally 2. D, converted during post- production. Filmed with the Fusion Camera System.***Kung Fu Panda 2. May 2. 6, 2. 01. 1 (2. In 3. D. Limited engagement.**The Founding of a Party.
Preceded by the short subject Hawaiian Vacation. Limited engagement.***Transformers: Dark of the Moon. Filmed with the Fusion Camera System. Half of the film was shot flat, then converted to 3.
D in post- production.***Harry Potter and the Deathly Hallows – Part 2. July 1. 5, 2. 01.
In 3. D. Originally 2. D, converted during post- production.***+Sector 7. August 4, 2. 01. 1 (2. In 3. D. First Korean DMR release. Released in South Korea only. Filmed with the Fusion Camera System. Limited engagement.
First DMR release for New Line Cinema.**Contagion. September 9, 2. 01. Filmed in 4. K resolution with the Red MX Digital Camera.**Real Steel.
October 7, 2. 01. The Adventures of Tintin: The Secret of the Unicorn. Preceded by the short subject I Tawt I Taw a Puddy Tat.***Flying Swords of Dragon Gate. Aspect ratio opened up to 1. Filmed with the Red Epic. Aspect ratio opened up to 1.
First DMR release for Lakeshore Entertainment.**Journey 2: The Mysterious Island. Filmed with the Fusion Camera System. Preceded by the short subject Daffy's Rhapsody.***Dr.
Seuss' The Lorax. First DMR release for Illumination Entertainment.**John Carter. Originally 2. D, converted during post- production.***The Hunger Games. First DMR release for Lionsgate Films.**HOUBA! On the Trail of the Marsupilami. March 2. 8, 2. 01. First French DMR release. Buy Austin Found (2017) The Movie On Dvd.
Selected territories only.**Wrath of the Titans. Some scenes were filmed with the Red Epic. Originally 2. D, converted during post- production. Originally in 2. D, converted to 3.
D. Aspect ratio opened up to 1. For IMAX 7. 0MM prints, the film was split into 2 parts due to platter size limits. The longest DMR film to date.***Battleship. Originally 2. D, converted during post- production.**Dark Shadows. Originally 2. D, converted during post- production.
The Amazing Spider- Man attached. Filmed with the Red Epic.
Aspect ratio opened up to 1. IMAX prints. For 7. Madagascar 3: Europe's Most Wanted. June 8, 2. 01. 2 (2. In 3. D. Selected territories only. Filmed with the Red Epic. IMAX Digital theaters, and a 1.
IMAX 7. 0MM theaters.***The Dark Knight Rises. July 2. 0, 2. 01. IMAX cameras. Limited engagement.**Raiders of the Lost Ark. September 7, 2. 01. Originally released in 1.
Limited engagement. Filmed with the Red Epic. Limited engagement.**Tai Chi 0. September 2. 7, 2. In 3. D. China only. The first stop- motion film released in IMAX.**Paranormal Activity 4. China only. Aspect ratio opened up to 1.
First DMR release for Metro- Goldwyn- Mayer Pictures***Cirque du Soleil: Worlds Away. November 9, 2. 01.
In 3. D. Filmed with the Fusion Camera System. Limited engagement.
IMAX version released in Japan only. Filmed with the Fusion Camera System. Selected territories only. Limited engagement. Enhanced framing technique known as . Limited engagement.
China only. Filmed with the Red Epic. Aspect ratio opened up to 2. First mainstream film to be shot in 5.
K and in 4. 8 frames per second. Released in 2. 4 fps and 4. Star Trek Into Darkness attached to IMAX Digital prints. Limited engagement.**Name. Release Date. Notes. The Grandmaster. January 8, 2.
China only. Originally 2. D, converted during post- production. First DMR release for MTV Films.**Top Gun. February 8, 2. 01. Re- release. Originally released in 1.
Originally in 2. D, converted to 3. D. Limited engagement.**+Journey to the West: Conquering the Demons. February 1. 0, 2.
In 3. D. China only. Filmed with the Red Epic.***Oz the Great and Powerful. March 8, 2. 01. 3 (2. In 3. D. Filmed with the Red Epic.
Jurassic Park 3. D attached.**G. I. Joe: Retaliation. March 2. 9, 2. 01. In 3. D. Originally 2. D, converted during post- production. Originally released in 1.
Originally in 2. D, converted to 3. D.***Oblivion. April 1. Filmed with the Red Epic in 4. K resolution. Aspect ratio opened up to 1. Filmed with the Arri Alexa. Originally 2. D, converted during post- production.
Some shots were filmed with the Red Epic. Originally 2. D, converted during post- production.