The best movie soundtracks of 2. Download The New Captain Underpants (2017) Movie. December 2. 01. 6, 1.
Classic FM's resident movie buff Andrew Collins picks his favourite film scores of 2. He will play a selection of these and more in his review of the year show: Saturday Night at the Movies, 3. Documentary Films Dvd Split (2017) on this page.
December 2. 01. 6 at 5pm. My favourites are listed below. You can hear a selection of pieces from these soundtracks - including my top 5 of 2.
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Saturday Night at the Movies, on 3. December 2. 01. 6 at 5pm.
High Rise - Clint Mansell. My favourite British composer rises to the occasion of Ben Wheatley’s adaptation of JG Ballard’s dystopian novel about an allegorically class- riven skyscraper, delivering headily repetitive strings that are just “wrong” enough to summon instant unease and a lone harp and trumpet playing the same motifs. Aromatic and sexually charged, it’s surely Mansell’s most sophisticated, focussed score yet.
Nocturnal Animals by Abel Korzeniowski. Polish composer Abel Korzeniowski bolsters his reputation as one to watch after TV’s Penny Dreadful, the 2. Romeo & Juliet and fashion designer Tom Ford’s debut A Single Man.
For Ford’s second film, set in the antiseptic art world, Korzeniowski mixes fetching, string- based simplicity with more unsettlingly melodramatic cues for the shocking story- within- a- story. He even boldly works in the sound of female breathing for maximum intimacy. Arrival - Johann Johannsson. A late arrival, like the music to the equally beguiling space opera Passengers, released just before Christmas, Johannsson’s score to this close encounter thriller is more of an ambient, electronic soundscape than a traditional orchestral suite, but it suits the mood and the themes of the film perfectly. It’s a film about verbal communication between species, and the Icelandic composer hints at linguistics with passages formed of sampled voices that are almost impossible to decipher. This is very intelligent film music. Swallows and Amazons - Ilan Eshkeri.
This jolly new adaptation of the classic children’s adventure by Arthur Ransome, set in the Lake District in the 1. Eshkeri which captures both the nostalgic innocence of a childhood summer and the playful, internecine battles on the water. It’s both rip- roaring and bucolic. Eshkeri came to Classic FM to take us through the Swallows and Amazons soundtrack. Watch a clip below - or see the full interview here > Swallows and Amazons composer on the swallows' main theme. Ilan Eshkeri introduces his brand new film score, Swallows and Amazons.
Batman Vs Superman: Dawn of Justice - Hans Zimmer and Junkie XLCommon consensus has this latest comic- book mash- up as overblown and humourless, but in conjunction with Dutch producer and DJ Junkie XL, Hans Zimmer “retired” from the superhero genre in fine style, with church bells, thundering percussion, metallic clanking, heavenly choirs and, yes, quiet reflective interludes before each storm. The BFG - John Williams. Williams chalked up his 2. Steven Spielberg with one of his most inventive, original and magical scores since Harry Potter. Roald Dahl’s favourite inspires him to return to old- fashioned Disney strings and inquiring, mischievous woodwind; some of the cues sound as literally descriptive as a silent movie soundtrack.
He certainly nails the differences in scale between the humans and the giants. Captain Fantastic - Alex Somers. This somewhat flawed drama about a hippie family leading an alternative lifestyle forced to adapt to the harsh real world after a tragedy is resplendent in the resonant, pulsing minimalism of Somers's electronic score, which wraps its emotions in eerie soundscapes, sometimes discordant, sometimes almost celestial in their beauty. Spotlight - Howard Shore. Having made his name as the provider of horror music and entered a new phase with his Movie Music Hall of Fame- bothering Tolkien trilogies, Shore tried something new for the Oscar- winning investigative journalism drama, using piano, chimes and metronomic ticking to drive the urgency of the story, and plangent strings to suggest the gravity of the unfolding scandal or, as one track title has it, the . It's anything but the standard western score – how could it be?
The anthropological picaresque, a black- and- white colonial journey into the Amazon in search of healing plants, also sees a white explorer play his native guide The Creation by Haydn on a wind- up gramophone.