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Top 5. 0 sexy sci- fi costumes part 2. Continued from part 1. Dorothy Stratten - Galaxina (1.
Designer: Malissa Daniel (Slam Dance; Communion; Cool World)Malissa Daniel has integrated the spandex disco chic of Buck Rogers In The 2. Century with the 'at- least- show- them- something' philosophy of William Ware Theiss (as famously demonstrated in Sherry Jackson's costume for the Star Trek: TOS episode . Instead of revealing the underside of the breast area, a Star Trek favourite, or the side area, Daniel exposes the chest area directly above, too high for significant cleavage but too low and broad to not be intriguing. The flares that Buck Rogers (correctly) guessed the future would tire of are in evidence on Galaxina's spandex suit, and the light- cream colour matches the pale make- up that often (with Blade Runner's Pris, for instance) denotes the bloodless cybernetic construct. Some consider that Natalie Portman's tight and midriff- revealing get- up in Attack Of The Clones is inspired by Stratten's spandex outfit.
Shot at San Francisco's Kearny Street Cinema, Punishment Pony chronicles a bizarre sexual stageshow.
Charlise Theron - Aeon Flux (2. Designer: Beatrix Aruna Pasztor. Many fans of the original Peter Chung animated character were displeased with the rather more modest version of the costume that Charlise Theron sported in Karyn Kusama's ill- received movie adaptation, though others seem to welcome the protection. The almost non- existent lower section of the main version of the original costume would likely have cost the film its PG- 1. Chameleon- like Theron seemed to be in some halfway state between her customary dimensions and some kind of (no doubt work- related) weight- gain, and the original design might have been a bit of a reach for her that year anyway. Though the top section of Chung's costume design seems very tight, it lacks the upper- chest reveal of the Pasztor 'compromise' costume seen in the film.
Either way, both designs have many adherents. Scarlet Johansson - The Island(2. Designer: Deborah L.
Scott (Titanic; Transformers; Minority Report)The purity and innocence of gee- whiz clones Johansson and Mac. Gregor is emphasised in the design of their sporty and tight- fitting tracksuits.
The hedonism and venal nature of the society in Logan's Run - which, along with Clonus (1. The Island owes a great deal to - is passed over here to represent a mini- society that knows nothing about sex, even at a theoretical level. With the aim of suppressing lust in mind, these are not the most obvious couple to bind up in tight and sexy one- pieces, but there you go.
Pamela Hensley - Buck Rogers In The Twenty- Fifth Century (USTV, 1. Designer: Al Lehman.
The second of three entries for a sci- fi TV series so devoted to glam as to make the efforts of TOS pale by comparison. Though she only appeared in four episodes out of the two- series run, Hensley managed to create a two- gal glam- off in the minds of male Buck Rogers fans between herself and Erin Gray. Often clad in typically erotic sci- fi spandex, Ardala's most enduring appearance is actually from the first episode (also released as a motion picture in 1. Here, at an absurd dance where Gil Gerard revives disco after a 5. Princess Ardala adorned in ornate robes, a semi- frilly bikini and a hat that clearly had a huge influence on an adolescent Jamiroquai. As Buck says later, .
The costume itself has become an SF/horror icon non- pareil since the first Vampi comic came out in 1. With it's form- hugging midriff side- straps, the costume looks impossible, something a teenage boy would design and an engineer would laugh at.
But it's amazing what science can do when the will is there. There are so many accurate versions of the costume on display every year at conventions, that it is surprising to find Soto's get- up in the Jim Wynorski film so plastic and unconvincing, and it gets a place in this list far more for the design than the execution.
Talisa Soto is a perfectly fine actress, but lacks the trademark Vampi physiognomy, and the outfit hangs rather drably on her; it's not the right costume for her to wear. A far more suitable candidate would have been the lovely Caroline Munro (see #3. Claudia Black - Stargate SG- 1 (USTV, 2. Designer: Christina Mc. Quarrie. Mc. Quarrie's excellent work with Morena Baccarin (see part #1) continued apace in her designs for Black. We note that the designer is extremely fond of chokers, and seems to be holding back an S& M riff for the benefit of delicate network sensibilities. Vala Mal Doran is a combustible and strong character, and her many moods give opportunity for a varied wardrobe.
The ceremonial garb aobe- left is a particularly sadistic challenge, showing both the upper arms and sides of the abdomen; you don't get away with anything on Mc. Quarrie's watch. 1. Dana Gillespie - The People That Time Forgot (1. In the absence of a specific costume design credit, we can only thank production designer Maurice Carter for enlivening this rather confused sequel to The Land That Time Forgot with a cave- girl memorable enough to stand beside Raquel Welch (who we remind you can't be here in that regard since One Million Years B. C., ludicrous as it is, is not sci- fi). The costume for Ajor (Gillespie's character), little as there is of it, seems to be a rustic suede affair where dignity is unwisely maintained by sparse laces.
Gillespie had trod the prehistoric route before with Hammer's The Lost Continent (1. Cook & Moore spoof of The Hound of the Baskervilles (1. Nick Roeg's Bad Timing (1. Louise Jameson - Doctor Who (BBC TV, 1. Designer: John Bloomfield. Oddly enough, the Sevateem warrior's garb is extremely similar to Dana Gillespie's (above), but emphasises the thighs and upper legs rather than the chest.
As the actress told us in an interview last year ! I had absolutely no idea that she'd be in those clothes and she'd end up a sex- symbol. With the wisdom of hindsight, of course - put someone in a leather leotard after the football results, and inevitably you're going to get a load of the male population tuning in.
Mystique is solid blue and covered in scales. I remember when I was reading the script for the first time, for the first X- Men, they described what my character looked like and I thought: “Ok cool, that might involve a couple of extra hours in makeup, I can deal with that.” I never really understood how much time it would entail until I began work. It ended up being seven or eight hours in the make- up chair, so sometimes I would have to get to the set at one or two in the morning to get started.
It is mostly prosthetics; the scales are giant pieces of silicone, (which cover 7. Then they spray me down, they airbrush the rest of me with blue makeup. It is not much fun. But the same group of women has been doing my make up since the first film and we all know each other very well now, obviously. We genuinely have a pretty good time together and make the best of it.
And it is worth it because the results are so dramatic. The character's long- term affair with another female mutant, Destiny, never made it into the X- Men trilogy. Ashley Scott - Artificial Intelligence: AI (2. Designer: Paco Rabanne.
Paco Rabanne worked extensively on Barbarella (see below), and I'm guessing he had a hand in the design of Anita Pallenberg's 'Black Queen' outfit, which shares some DNA with the restrictive garb of Jude Law's casual cyber- prostitute pal, Gigolo Jane (Scott). In typical S& M style, this scarlet cat- suit harks back to the 1. One might imagine a garment this enclosing and hermetic to be an obstruction in Jane's trade, but for all we know, it's built right onto her chassis. Erin Gray - Buck Rogers In The Twenty- Fifth Century (USTV, 1.
Designer: Al Lehman. Like many of the tighter costumes in this list, Erin Gray's spangly spandex catsuit from the first series of Buck Rogers required the actress to be sewn into it every morning. When I did the screen test they asked me to wear white Levis and a white top. They wanted . That’s all I knew.
Sci- Fi & Fantasy - Eaglemoss. The Official Hobbit Figurine Collection. The Collector’s Models features all the major characters from all three movies, starting with the latest film The Hobbit: The Desolation of Smaug, with every figurine presented in a unique pose that recreates a classic moment. Each figurine is reproduces the filmmakers’ vision in loving 1: 2.