TCM Monthly Movie Schedule, 2. Classic Movies. TCM movies for previous months, all categories, see near bottom. To subscribe to a monthly email of highlights, please visit: Turner. Classic. Movies. com - With more than 3. Turner Classic Movies truly is Movie Heaven.

Cast: Clark Gable , Burt Lancaster , Jack Warden . B/W - 9. 3 min. Hell Below (1. A submarine captain clashes with one of his crew during World War I. Cast: Robert Montgomery , Walter Huston , Madge Evans .

B/W - 1. 01 min CC. Operation Pacific (1.

A dedicated submarine commander sacrifices everything to defeat the enemy. B/W - 1. 09 mins CC.

My 8-year-old son is very worried about Earth being destroyed by the sun when it becomes a red giant billions of years from now. I have tried to comfort him by. Smartwatches have long felt like a gadget in search of a purpose. However, it seems the Boston Red Sox have finally discovered one thing they are actually good at. The English version offers selected articles from.

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BARGAIN MADNESS ( 1. This short film is a humorous look at women battling for bargains in a department store.

1,241 Responses to Godzilla Month Begins Where It All Started- “Godzilla, King of the Monsters” Tonight! The classic US stereotype of attempted Iranian ideological indoctrination via chants of “Death to America” and such has been old hat for quite some time. The one time I don’t check for a new video within 5 minutes of the last time I did and that’s when it gets uploaded.

BW- 1. 0 mins. Up Periscope (1. A U. S. C - 1. 11 mins CC Letterbox. Enemy Below, The (1. During World War II, an American destroyer meets a German U- Boat. Cast: Robert Mitchum, Curt Jurgens, Doug Mc. Clure, Al Hedison. C - 9. 8 mins CC Letterbox.

Destination Tokyo (1. A U. S. Cast: Cary Grant , John Garfield , Alan Hale .

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B/W - 1. 35 mins CC. FORTUNE SEEKERS ( 1. This short film highlights the seemingly small inventions that have become part of daily life. BW- 8 mins. Incredible Mr. Limpet, The (1. 96. A World War II 4- F saves the U.

S. Navy when he's transformed into a dolphin hybred. Cast: Don Knotts , Carole Cook , Jack Weston . C - 9. 9 mins CC. Beach Party (1. 96.

An anthropologist studies the dating habits of the teens hanging out on a nearby beach. Cast: Bob Cummings , Dorothy Malone , Frankie Avalon . C - 9. 8 mins CC Letterbox. KINGDOM OF THE SAGUENAY ( 1.

This short film takes the viewer down the Saguenay River, located in Quebec. Dir: Douglas Sinclair. C- 9 mins. Muscle Beach Party (1.

The beach gang goes head- to- head with bodybuilders of a new gym that's interfering with their strip on the sand. Dir: William Asher. Cast: Frankie Avalon , Annette Funicello , Luciana Paluzzi . C - 9. 5 mins CC Letterbox. FILMMAKING ON THE RIVIERA ( 1.

This promotional film for . BW- 1. 0 mins. Surf Party (1. A young girl visits her surfer brother in California , and finds romance, music.. Cast: Bobby Vinton , Patricia Morrow , Jackie De. Shannon . B/W - 6.

CC. MGM 4. 0TH ANNIVERSARY ( 1. A brief overview of MGM releases from the first 4. C- 3. 2 mins, Letterbox Format.

For Those Who Think Young (1. Teens fight to keep a wealthy businessman from shutting down their beachside hangout. Order Spectre (2015) Movie there.

Martinson Cast: James Darren , Pamela Tiffin , Woody Woodbury . C - 9. 7 mins CC Letterbox. BOTTLE AND THE THROTTLE, THE ( 1. In this short film, a teenager runs down a mother and child after having one too many alcoholic beverages.

C - 1. 02 mins. JOY SCOUTS ( 1. In this comedic short, a gang of children decide to head off on an unsupervised camping adventure.

Cahn Cast: Calvin Ellison , Robert Blake , Eugene Lee . BW- 1. 0 mins. DAUGHTERS COURAGEOUS ( 1. A father returns to the family he left years earlier and tries to solve their problems.

BW- 1. 07 mins, CC. While building a tunnel through the Andes, an engineer falls in love with his possessive boss's daughter. C- 1. 29 mins, CC. SO YOU WANT TO BE A SALESMAN ( 1. Joe Mc. Doakes is starting a new job as a vacuum cleaner salesman but cannot seem to make any sales in this comedic short. Vitaphone Release 1.

A. Dir: Richard Bare Cast: Rose Plumer, Ted Stanhope, Lottie Williams. BW- 1. 0 mins. PHANTOM THIEF, THE ( 1. A reformed thief tries to stop a murderous blackmailer. Ross Lederman Cast: Chester Morris , Jeff Donnell , Richard Lane .

BW- 6. 5 mins. WATER BUGS ( 1. This short film looks at a water sports club that takes part in all forms of water recreation. BW- 1. 0 mins. CHEERS FOR MISS BISHOP ( 1. On her retirement, students wonder why their favorite teacher never married. BW- 9. 4 mins, CC. RANCHO NOTORIOUS ( 1.

A cowboy infiltrates a bandit hideout in search of his girlfriend's killer. C- 8. 9 mins, CC. MAN IN THE GRAY FLANNEL SUIT, THE ( 1.

A public relations man must cope with revelations about a wartime romance. C- 1. 53 mins, CC, Letterbox Format. CONVERSATION WITH GREGORY PECK, A ( 1. Gregory Peck discusses his life and career during a series of personal appearances and family outings. C- 1. 49 mins, CC, Letterbox Format. WESTWORLD ( 1. 97. A future fantasy park turns deadly when robots go on a killing spree.

C- 8. 9 mins, CC, Letterbox Format. DEMON SEED ( 1. 97. A sophisticated computer falls in love with its creator's wife and terrorizes her.

C- 9. 5 mins, CC, Letterbox Format. SCANNERS ( 1. 98. A scientist sends a man with extraordinary psychic powers to hunt others like him. C- 1. 03 mins. PENELOPE FEATURETTE ( 1. In this promotional short for the feature film .

C- 4 mins. THEM! BW- 9. CC. THIS MAN'S NAVY ( 1. Two Navy vets compete to see whose son is the bigger hero. Wellman Cast: Wallace Beery , Tom Drake , James Gleason .

BW- 1. 00 mins, CC. MY OLD TOWN ( 1. 94. Narrator John Nesbitt reminisces about his home town and childhood in this short film. BW- 1. 08 mins, CC.

A femme fatale lures an unemployed man into helping her with a criminal scheme. BW- 8. 2 mins, CC. LIFE HESITATES AT 4. In this comedic short, Charley Chase finds himself having strange spells in which everything around him appears. Dir: Harold Law Cast: Andrea Leeds , Gus Leonard , Jack Raymond . BW- 1. 5 mins, CC.

FRONT PAGE, THE ( 1. A crusading newspaper editor tricks his retiring star reporter into covering one last case. BW- 1. 00 mins, CC. I DOOD IT ( 1. 94.

A tailor nurses an unrequited crush on a stage star. BW- 1. 03 mins, CC. NATIONAL VELVET ( 1. A British farm girl fights to train a difficult horse for the Grand National Steeplechase. C- 1. 24 mins, CC. Two wealthy young men try to commit the perfect crime by murdering a friend.

C- 8. 1 mins, CC. YEARS AT THE MOVIES ( 1.

This short documentary celebrates the centennial of American filmmaking through a montage of clips of. Dir: Chuck Workman.

C- 9 mins. BUTCH CASSIDY AND THE SUNDANCE KID ( 1. Two free- spirited bank robbers flee railroad detectives and head for Bolivia. C- 1. 10 mins, CC. LIFE AND TIMES OF JUDGE ROY BEAN, THE ( 1.

A self- appointed judge cleans up a corrupt western town twice. C- 1. 23 mins, CC.

CAMILLE ( 1. 92. 1). In this silent film, a kept woman gives up her glamorous life for an innocent young man. Smallwood Cast: Nazimova , Rudolph Valentino , Arthur Hoyt . BW- 7. 0 mins. SMOKED HAMS ( 1. In this comedic short, a vaudeville team convinces an agent to book their new act.. BW- 1. 8 mins. After letting his son be raised by another man, a retired seaman tries to rebuild his family.

BW- 1. 41 mins. JIMIE FIDLER'S . BW- 2. 0 mins. HOLLYWOOD MY HOMETOWN ( 1. In this special, Ken Murray hosts his own behind- the- scenes home movies of some of Hollywood's greatest stars. BW- 9. 9 mins, CC. ANNIE OAKLEY ( 1.

The famed female sharpshooter learns that you can't get a man with a gun when she falls for a rival marksman. BW- 9. 0 mins, CC. PENNY SERENADE ( 1. A woman on the verge of divorce recalls her heartbreaking attempts to adopt a child. BW- 1. 20 mins, CC. WOMAN OF THE YEAR ( 1.

Opposites distract when a sophisticated political columnist falls for a sportswriter. BW- 1. 14 mins, CC. CAPE BRETON ISLAND ( 1. This short film focuses on the history, land, and people of Cape Breton island. C- 9 mins. I REMEMBER MAMA ( 1.

Norwegian immigrants face the trials of family life in turn- of- the- century San Francisco. BW- 1. 34 mins, CC. A Texas ranching family fights to survive changing times. BW- 2. 01 mins, CC.

NUTTY PROFESSOR, THE ( 1. A timid chemist discovers a potion that unleashes his sleazy side. C- 1. 07 mins, CC, Letterbox Format. KING OF COMEDY, THE ( 1.

A would- be comic kidnaps a talk- show host to win a guest shot on his show. BW- 1. 09 mins, CC, Letterbox Format. STOOGE, THE ( 1. 95.

A failed singer takes on a comedian to create a team act. BW- 1. 00 mins, CC.

BELLBOY, THE ( 1. An accident- prone bellboy's resemblance to Jerry Lewis causes rampant confusion. BW- 7. 2 mins, CC. DISORDERLY ORDERLY, THE ( 1. An inefficient hospital orderly wreaks havoc when he tries to help the patients.

C- 8. 9 mins, CC, Letterbox Format.

Last Night's Game of Thrones and the Impossible Expectations of Ice Meeting Fire. About a million things happened on “The Queen’s Justice” last night, but there’s only thing that really matters—the long, long, long- awaited moment where the King in the North met the Mother of Dragons, and the series’ two main characters finally came face- to- face.

The scene could not have been more anticipated. Mainly because Jon and Dany’s conversation went almost exactly how I thought it would. We talked about it last week a bit: There would be the king in the north/queen of everywhere conundrum, Jon would try to explain about the White Walkers, and Dany wouldn’t believe him. But their meeting was full of Important Points and Important Speeches, no matter how awkwardly they might’ve been shoved in there. Dany’s speech about how awesome she is and how she survived all the awful things that happened to her is the most glaring example; It’s a good speech, but she does she really need to prove herself to Jon Snow? Jon even ends their first meeting by essentially telling Dany that everyone on the show is so busy playing that darned throne game they’re going to be murdered by dead ice monsters.

It doesn’t help that, after Tyrion has talks with both Jon and Dany, Daenerys basically agrees to help Jon out without the queen/king thing resolved, and without really believing him. I know she trusts Tyrion, and Tyrion trusts Jon, but her decision to give Jon a bunch of dragonglass and the men needed to transport it feels like it was made merely to speed along the plot instead of a natural decision.

Dany was in full Royal Taking No Shit mode when Jon entered Dragonstone; letting him leave with what he wants without demanding—or forcing, rather—him to bend the knee seems uncharacteristic of her at best, and a cop- out at worst. It felt too quick, and too easy. However, I have another question for you: If it had taken Daenerys two to three episodes to make the decision to team up with Jon, wouldn’t you have been even more annoyed? This is all to say that everybody was so looking forward to Ice meeting Fire that it created an expectation too large for it to truly satisfy. It wasn’t bad by any means, it just felt more perfunctory than epic. In a way, I’m glad it didn’t try to shoehorn some major revelation in there—I’m envisioning Jon walking past a row of Targaryen portraits, and slowly turning to realize Rhaegar Targaryen looks just like he does—but I also worry how obsessed and demanding the fandom is, and much they’ve laid the groundwork for their own disappointment.

On the plus side, Jon and Dany’s quick alliance is more proof that Game of Thrones is dedicated to getting shit done—and no character this week exemplifies that more than Cersei. Her list of accomplishments in “The Queen’s Justice” is pretty staggering: She lets Dany’s Unsullied take the Lannister’s ancestral home of Casterly Rock so she can lock down another portion of the Targaryen forces, and then uses Euron’s fleet to besiege them in a castle that has had its larders empty.

She agrees to marry Euron. Meanwhile, her forces take out Highgarden, not just removing the Tyrells as enemies, but taking all its gold—and suddenly paying back the Iron Bank of Braavos, who sends Sherlock’s Mark Gatiss to remind her of the crown’s immense debts. I was always skeptical of the very slight “Westeros owes the Iron Bank a lot of money” subplot, mainly because paying back an overseas bank is incredibly boring, even just to type.

But it turns out to be the perfect reminder that while Cersei may have lost whatever restraint she might have once had, but, occasional mistakes aside, she’s still as cunning as anyone playing the game. In one stroke, she deals a major blow to Dany, takes out another enemy, and eliminates the threat of the Iron Bank coming to collect its dues. Her argument that the Dothraki aren’t going to make their monthly payments is effective, but when she tells Gatiss that she’ll pay back the crown’s debts in full within a fortnight I assumed this was Cersei having a break with reality. Nope. I’m still all- in on my Mad Queen theory—look at the unhinged, evil glee on Cersei’s face when Euron presents his captives, or the wild- eyed maliciousness in her eye when she’s explaining to Ellaria all the ways she’s dreamed of enacting revenge for Myrcella—but that doesn’t mean there isn’t a ton of method to her madness. I mean, the way she chooses to punish Ellaria is perfect in its horror: She kisses the Sand Snake/Murderous Nitwit with the same poison Ellaria used to kill Myrcella, and forces Ellaria to watch her daughter die over a series of hours, or maybe even days. Her order to the guards to change the torches every few hours—so Ellaria can’t miss a moment—is chilling, but sort of brilliant in its cruelty. Meanwhile, in Winterfell, Sansa is kicking ass and taking names, ruling- wise.

She’s the one to think of the city’s provisions, especially if/when everyone in the North basically flees there for protection, and orders grain shipped from their various fiefdoms. She makes sure the armor has leather added to it so her soldiers don’t freeze to death. She shoots down Littlefinger’s attempts to give her advice over and over again, which will never not be completely delightful to me. And when Bran returns to Winterfell, in what should be another happy reunion but is marred by the extremely dead look in Bran’s eyes, Sansa is ready to give up Winterfell to the eldest legitimate son of Ned Stark, without hesitation. Bran tells her no, explaining he’s busy being the Three- Eyed Raven; Sansa doesn’t understand, but she knows enough to be freaked out when Bran describes her wedding day to Ramsay without having been there. Let’s talk about Bran, because this is.

There are three of five of Ned’s kids still alive, and two of them—Arya and Bran—seem to be seriously twisted inside, to the point where Ned would surely be deeply troubled by them. Only Sansa comes close to resembling the Starks as we first met them, and even then, her myriad, horrible experiences have led her to be more efficient than compassionate. This is 1. 00 percent a good thing for Winterfell overall, especially given what’s coming, but it’s hard not to imagine Ned and Catelyn worrying about how jaded their daughter has become. Of course, Highgarden couldn’t be removed from the board without giving a fond farewell to Diana Rigg’s wonderful matriarch Olenna Tyrell, the Queen of Thorns. When Jaime enters her quarters, after Highgarden is lost, Olenna barely cares, but her tongue is just as barbed as ever, displaying annoyance that her army has been defeated, mocking Jaime for losing to Robb Stark, belittling Joffrey one last time, and more.

When Jaime announces he managed to talk Cersei out of flaying Olenna alive, instead giving her a simple poison to drink, Olenna gulps it quickly. She tells Jaime that she’s the one who poisoned Joffrey at the Purple Wedding, recounting his horrible, choking death in great detail, and not a little bit of relish. She doesn’t even tell Jaime why she did it (which was mainly so her granddaughter Margaery wouldn’t have to marry a little monster) making the act seem even crueler. Her last words: “Tell Cersei. I want her to know it was me.”All in all, it was another terribly efficient episode of Game of Thrones, with the all- important Daenerys and Jon meeting front- loaded into it. Both were good, but a little too efficient to be truly great. It’s not exactly a shame, and it’s not going to keep me up at night, but without that time to breathe the show does feeling like it’s missing a little something.

Or maybe I’m just sad that the end is so obviously on its way. Come on, Dany. Couldn’t you have made Jon wait a little while longer to get that dragonglass? Assorted Musings: Lots of great quotes in this episode.